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collaboration in video projects...
to crystallise the movement, art of the game around time and space...
Fixing the movement through the image gives it a new dimension, out of its habitual space-time inscription in a conventional scenic space.
The dance develops and it is the eye of the cameraman or the choreographer who selects the recording moment. The movement is getting fixed in the frame and escape from the dancer. It becomes and outer object, able to create an emotion or a reaction which will unleash a new dance combination. The artist of the picture feeds on the suggested dance the same way the dancer feeds on the retained image.
Through this double movement all the interdisciplinary richness is experienced and updated.