Juliette Louste Company

...punctual collaborations... in the dance world...

 "In Maiolino's work we find many topics that intersect, different motives that use everyday gestures, life drive, sustenance, abjection, fusion with the other, social body, affective topology, body as a place to claim the existence, difference and repetition, construction of relational subjectivity, etc. Danced performance interacting with her piece Entrevidas, as part of the first European retrospective on the Brazilian artist." 

 "Renounce. Allow for what is yours and what is not, abandons you. And then, when you think that you are lost, that there is nothing left, let go of the last things to which you attach yourself. You will then know who you are. Renouncing can be a painful way of discovering your own identity, but a sure one. And know that if you do not make it, if you do not let the tide grow high, take that which clings and clean the footprints, you will never experience a true union."

 "The MiniEvents are a series of choreographed movements created from new choreographies, sections and complete pieces of the repertoire of Merce Cunningham. Thought to be presented in unconventional spaces, these events establish a dialogue with the space in which they are presented and, therefore, include an element of improvisation. These activities are carried out as part of the retrospective on John Cage, his faithful collaborator."

 "To collectively reclaim the public space through the body in motion. Synchronicity is the coincidence in time of two events, or more, bound by the sense and not by the cause. According to David Bohm, "we cling to a large extent to the manifest world considered as the fundamental reality where important is to have separate units,relatively at least, but interacting. In the non-manifest reality everything interpenetrates, everything is connected"."

 "Essential piece, an expression of sensible and enlightened perception of those events that disrupt the course of life, vital aspirations that inspire us, inner quest. Inspired by Jung, she explores the meaning of these strange coincidences that echo in oneself with a particular sharpness. A clock that stops at the death of a beloved father. An encounter that changes destiny. Meet a loved one by a happening that seems incredible. These situations occur at the time of intense emotions, singular circumstances, turning points."

 "Neoclassical piece, developing a research on aesthetics and the sculptural characteristic of bodies in motion. The central axis is inspired by the works and life of Camille Claudel, and more broadly with those of his master and companion Auguste Rodin, who said of her: "I showed her gold, but the gold she finds is really hers". In the portrait of the artist, inspiration is to capture the experience of a simple gesture, in the intensity and density of the escaping moment."

 "Every September 24th, Barcelona celebrates the virgin Mare de Déu de la Mercé, patron of the district of the city, by a set of cultural and folkloric events taking place in a relatively unchanging ritual. Each year we find the pregó, the correfocs, the castells, the dance of Catalonia's giants, as well as numerous concerts, exhibitions and open doors. In 2007, the great and legendary popular dance was directed and animated by the company Rosas and its collaborators."

 "A core of performers, aged 10 to 70, which involves the otherness between past and present, between memory and action where one wonders about the body evolution over time and the tendency of our society to separate individuals based on appearance, age, interests ... The particularity and the intention is twofold: to offer a contemporary artistic work and contribute to awareness of the audience towards the practice, creation and history of contemporary dance."

 "Grandiose journey to the heart of secular traditions that activates a fantasy filled with movements as intrepid as virtuous, Israel Galván and Akram Khan meet through dance. Each of them, in a parallel track that crosses in filigree the route to India, brought his art to the summit: the Katak for one, the Flamenco for the other. The similarities between the two are obvious: ground strikes, circular arm movements, essential and direct interaction with the musicians."

 “Le festival célèbre sa 20º édition, faisant une rétrospective au travers de certaines des meilleures compagnies qu’il a accueillies. DCODE est la première application mondiale de danse qui permet un parcours virtuel au sein des 20 ans d’histoire du festival. Ce projet regroupe 20 chorégraphes, dans 20 lieux de la ville, pour la réalisation de 20 vidéo-danses qui pourront être vues au moyen d'un smartphone et grâce aux 20 codes QR qui seront répartis dans 20 endroits de la ville pendant un mois.”

...as a dancer

...as an assistant, or other